The “Transcribing Caro Project” was my first experience
exploring a 3D project and a variety of elements joined together to complete
the whole task. Firstly, I found collecting primary research from our gallery
visit to the Yorkshire Sculpture Park and Hepworth gallery valuable because it
allowed me to explore a range of media and use my art skills to create folding
sketchbooks. The folding sketchbooks allowed me to observe a range of Caro’s sculptures
and create my own styled drawings based around them from a range of dry
materials. I believe this was valuable for me in the project because it allowed
me to interpret my own view of Caro’s pieces and create a range of sketches
that were taken from a variety of Caro’s pieces from paper sculptures to
outdoor sculptures. I also found it valuable collecting primary research from
the gallery visits because it allowed you to compare Caro’s work in both
galleries with the folding sketchbooks and images. The trip was valuable
because it allowed me to collect a variety of primary images that were placed
into my sketchbook for further development and were used throughout the
project. Also the trip was valuable for my primary research because it allowed
me to collect images at different angles and perspectives that was useful for
sketchbook work to create themes and textures. I found looking at the sculptures
in real life better than secondary images because you can explore the piece at
different angles and perspectives. Also it’s better to look at sculptures in
real life because you can look closely into how the elements were placed
together and this was shown in Caro’s work with strong fixtures and fittings.
Finally it’s better to look at sculptures in real life than secondary images
because you can see how it fits in the environment and how other people in the
gallery interact with the pieces. This is demonstrated in the “Childs Tower
Room because children were climbing onto the piece and exploring it which shows
the interaction that cannot be seen through secondary images.
Throughout the development stages for my 3D sculpture task I have developed, organised and planned what I was going to create. Whilst in the designing stage I decided to create a plinth mounted 3D piece because I thought that was the most effective layout to create because you can build up a design and make it look like a strong architectural piece. I was wanting to create a strong architectural piece to relate back to my secondary renaissance research because my task was based around Caro where he took inspiration from architecture renaissance paintings and created sculptures from them. I was following in the footsteps of Caro and I decided to create a range of plinth mounted 3D pieces that expressed strong architecture. For my design stage I organised my sketchbook and split the pages into sections to organise and plan my 3 different designs. All the designs considered materials from each workshop and related back to Caro’s work and renaissance paintings. When I started to develop me final design, I prepared solutions in 3D by asking workshop leaders for advice and changing the design for it to be suitable for the workshops. I also organised the materials I was going to using whilst developing the design further.
I have used practical skills in the 3D workshop that I have learnt from the workshop introduction to create my final sculpture. In the workshop introduction I was taught how to use the machines in the room safely and how to use specific tools which were taken forward into my final sculpture. I have developed my methods and understanding of the machines I used in the 3D workshop to create my final sculpture and also to solve problems I faced. I have developed my knowledge and understanding that I learnt previously in ceramics and created 6 ceramic columns that were placed into the kiln safely. I have also expanded my knowledge in ceramics and started to use new materials that developed my understanding to create more effective clay pieces. In Print-making, I have used the knowledge I was taught previously in the workshop and developed it to create dry-point etching pieces that was printed by the same process for the final piece. Finally, the practical skills I used in photography and maquette making was paper sculpture which allowed me to create really effective abstract pieces that related back to the “Transcribing Caro” project.
Childs Tower Room |
I think that my primary research turned out well because I collected
a variety of information, photographs and two complete folding sketchbooks from
both galleries. I believe the photographs turned out well in my primary
research because I collected a variety of images that explore Caro’s work and
the use of different materials, how the sculptures were placed and the scale of
sculptures. I captured the abstract sculptures at different angles and
perspectives and this turned out well for me because it allowed me to use them
for my sketchbook work and develop them to create my final stages of design.
Also I think that the two complete primary research folding sketchbooks turned
out well because they showed my observations of Caro’s work from my view with a
variety of different materials being used and drawing techniques. The
information I collected from primary research was useful as it allowed me to go
into detail and depth about the “Childs Tower Room”. It allowed me to collect
information about the sculpture and Caro’s thoughts behind the sculpture.
However to improve my primary research information I would collect more
information from different sculptures as I only focused on one sculpture and I could
have collected more information which would have been taken into my sketchbook
work for annotation.
The secondary research I collected was effective because I explored
a variety of artists which were Peter Dahmen, Alexander Calder and Frank
Stella. For the secondary research I collected a variety of images from each
artist and created sketchbook pages that had layouts relating to the artist and
materials. Also I collected secondary information which was effective because
it related to the art movements they were involved in, what materials they use,
personal life and specific details behind some pieces of work. All the
secondary research artists I collected was effective because they all related
to Caro’s work and the artists chosen were compared to him in my sketchbook
work. All the artists I collected had similarities to Caro and this was
effective for my secondary research because it allowed me to explore further
into abstract art but always relating back to the “Transcribing Caro Project” and
brief.Throughout the development stages for my 3D sculpture task I have developed, organised and planned what I was going to create. Whilst in the designing stage I decided to create a plinth mounted 3D piece because I thought that was the most effective layout to create because you can build up a design and make it look like a strong architectural piece. I was wanting to create a strong architectural piece to relate back to my secondary renaissance research because my task was based around Caro where he took inspiration from architecture renaissance paintings and created sculptures from them. I was following in the footsteps of Caro and I decided to create a range of plinth mounted 3D pieces that expressed strong architecture. For my design stage I organised my sketchbook and split the pages into sections to organise and plan my 3 different designs. All the designs considered materials from each workshop and related back to Caro’s work and renaissance paintings. When I started to develop me final design, I prepared solutions in 3D by asking workshop leaders for advice and changing the design for it to be suitable for the workshops. I also organised the materials I was going to using whilst developing the design further.
I have used practical skills in the 3D workshop that I have learnt from the workshop introduction to create my final sculpture. In the workshop introduction I was taught how to use the machines in the room safely and how to use specific tools which were taken forward into my final sculpture. I have developed my methods and understanding of the machines I used in the 3D workshop to create my final sculpture and also to solve problems I faced. I have developed my knowledge and understanding that I learnt previously in ceramics and created 6 ceramic columns that were placed into the kiln safely. I have also expanded my knowledge in ceramics and started to use new materials that developed my understanding to create more effective clay pieces. In Print-making, I have used the knowledge I was taught previously in the workshop and developed it to create dry-point etching pieces that was printed by the same process for the final piece. Finally, the practical skills I used in photography and maquette making was paper sculpture which allowed me to create really effective abstract pieces that related back to the “Transcribing Caro” project.
In the workshop tasks I have faced difficulties with the print-making
and 3D workshops. The first problem I faced was getting to place my print onto
the design as I couldn’t place it where I originally wanted it to go because it
wouldn’t print properly onto the surface. To overcome this problem I spoke to
the print-making leader and decided to print the design onto paper and then
place it onto the surface of my design. This has changed my original design but
it overcame a problem I faced. When discussing to the 3D workshop leader about
my final design I faced a problem which was that the ceramic bases wouldn’t
hold together because of the weight they carry. This would make the pieces
break if they were placed together. To solve the problem, the 3D workshop
leader suggested a platform which would attach all the pieces together and hold
all the pieces together safely and not cause the pieces to break. I was pleased
with this solution because it related to my renaissance research that featured
steps in the architecture paintings. Also, another problem I faced was that the
ceramic base was unstable to place ceramic columns onto it. To solve the
problem, I created a piece of plywood that was going to be placed underneath
the ceramic base to make the base stronger and even. These changes to my design
changes the original design I created. However, I have overcome all the
difficulties I struggled with and will continue to finish my final sculpture.
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