Specific technology places a work at a certain point in
history and implies how the work was made. Art conservators must protect the recent,
modern works as the “future past” which means thinking about the importance of
the work in the future and the historical links that must be stored. Also, art
conservators need to protect the relationship between how the Time-based pieces
must be displayed and the quality of work when presented. All conservators must
identify the risks to works of art and also minimise the change when
improvement is required. Finally, conservators must consider the changes
through technology and the environment as if the work has a strong link to a
particular technology the greater risk the work will be lost. The technology and
time-based work must be backed up and updated in order to preserve them for the
future.
Installation
Time-based conservators continue to display the same
collection into the future. The process needs to be recreated for the future
and an artist called Bill Viola, who I have researched, has environment
artworks that relies on installation. The pieces have specific sounds and areas
that need to be displayed in order for the piece to work. At the Yorkshire Sculpture
Park the Underground Gallery has been transformed into a darkened maze of
corridors and gallery spaces which has been created in order for the pieces to
be displayed and create the environment that Bill Viola is wanting to achieve.
Technology
Modern technology is always changing and it is important for
Time-based media pieces to be updated and to be taken through into the future.
Research and processes must be carried out to display copies and to ensure long
preservation of the pieces. The works need to have constant maintenance once it
is on display to protect the work for the future.
Video
Videos must be created and compressed in order to adapt to
new video formats. When the videos are placed onto new video formats the
conservators must minimise changes to the appearance of the original. All the
work must be backed up into data storage when the formats are updated. Artists can
now edit their own work on a personal computer such as David Hockney, who creates
animated “IPad Pieces”.
Film
Time-based media films must rely on laboratories to produce
the prints every three weeks to maintain and protect the quality of the
original. The original films will stay with the artist but prints will be
produced and be maintained so that it will be placed on display.
Slide Based Works
One of the main problems that conservators face with
Time-based pieces is slide-based works. From the 1970s 35mm slides became popular
because they create good quality images and mediums. However, slide-based works
are difficult to conserve because there is a risk of it being exposed in the
process of copying it. Currently, digital technology is being researched to
find out if it can capture the same amount of colour and resolution. References: http://www.tate.org.uk/learn/online-resources/glossary/t/time-based-media
http://www.tate.org.uk/about/our-work/conservation/time-based-media
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