On Wednesday 14th December, I visited the Civic
Gallery in Barnsley to explore the current exhibition Sam Shendi “Mother and
Child”. The exhibition holds a series of powerful sculptures exploring the
timeless concept of “Mother and Child” which has inspired artists throughout
history with the development of minimalism pieces. Sam Shendis work has been
influenced by previous artists including Henry Moore which has inspired him to
create sculptures which have been reduced to the human body and minimal shapes.
By the pieces being minimal and simple it has allowed the artist to create
hidden stories and emotions around his mother. The ten pieces explore different
aspects of “mother and child” and how the relationships effects mothers mentally
and physically. Sam Shendi identifies the struggles of motherhood through the
emphasis of the colour “blue” within his work. The striking colour is
highlighted through his work and identifies towards the audience the area the mother
is struggling with through the sculpture. The chosen colour is also child
friendly and “visually appealing”. I believe the minimal shapes emphasises the
emotional connection between the sculpture and meaning behind the pieces.
Within the exhibition, a sculpture on display explores the loss of his mother
to breast cancer which reflects the connection between mother and child but
also the emotional loss. I believe that each sculpture within the gallery show
the development of motherhood and how it effects the mother role as the child
grows up. The colour describes different aspects of motherhood which includes
depression, sleepless nights, pain, swollen feet, child birth and the fear of
losing the child. The artist has explored beyond the obvious concept of “Mother
and Child” which can be seen as love and happiness through previous artists and
analysed the negative impacts of a mother role through pain and emotion. Sam
Shendi has simplified the human form and centred the emotion and feeling behind
his work which is displayed to the audience. Fibreglass and Resin have been used
to create the sculptures which also includes striking but simple colours. The
minimal shapes and striking colours combined create an abstract appearance which
continues to emphasise the different emotions faced through a mother’s role.
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Lullaby 2015 & Seed 2015
These two pieces reflect a child at birth and the struggles of sleeping as a mother. The colour blue is used to show the struggle of children sleeping and shows the minimal shape of a mother cuddling a child. I find these pieces interesting as I discovered by the curator at the civic that the pieces move which symbolises a mother rocking a child to sleep. Also, I find the piece interesting as it relates to the struggle of a mother sending a child to sleep through rocking and singing lullaby's.
Ripe 2016
This piece displays the stages of pregnancy though a repeated pattern of blue dots which highlights the subject of the piece. The shape of the sculpture also symbolises the shape of pregnancy and relates to the title of the piece “ripe” as the outline suggests that the mother is ready to give birth. I find this piece interesting to observe as it presents characteristics and a childish appearance compared to other sculptures om display. This makes the piece stand out and more engaging towards the audience within the exhibition. I find the piece interesting as it conveys the message and struggle of pregnancy through each stage until birth.
Alert 2015
The sculpture displays the struggle of Mother taking care of her child through mental health. The piece can suggest depression as Sam Shendi has explored this subject through his work and the colour blue is displayed at the top of the mothers head. The piece is interesting to observe as the colour subject is displayed twice within the piece and combines the mother and subject of the child. This implies to me that the mother is struggling with the birth of her child and this has effected the subject emotionally. Overall, the piece emphasises Sam Shendis subject colour blue the most through this sculpture .
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